The Sandman Universe 1 one-shot is riveting, visually visceral and stimulating, and features impactful storylines that merge for one hell of a tale.
Speaking of hell, Lucifer is in a bad state.
It seems he has a son, though impossible, and while the mysterious son seeks to destroy his father’s new sense of humanity, mortality, and mantra of hope, despite a potential wheel of fate forcing Lucifer to relive his pains over and over, Lucifer is off to find the mother of his child.
Lucifer’s bar is in shambles, as is his state of mind, his world, and his ravens (all but one at least).
And Dream’s raven (not Lucifer’s) has possibly the best line in the book when referring to Lucifer and his current predicament:
“It couldn’t happen to a nicer guy . . .”
The Sandman Universe 1 has many familiar faces, though Lucien is losing his memory and the Cain and Abel murders are helping to hold back the entire universe of Dreaming from cracking at the seems.
Daniel, Dream of the Endless, is gone.
And Lucien charges the all-knowing raven with finding him to help them save their increasingly brittle dreamscape.
The raven crosses dreams and stories in his search.
Another familiar face the raven flies over is Tim Hunter.
This sharp story sticks out immediately.
Tim’s life as a teenage magician living in the real world offers all kinds of complications.
Getting up late, showing up at school late, and finding your book blank when you go to read aloud in class is scary.
Finding out that your new teacher knows your secret and has plans for your magic is even more alarming.
What Tim does not know, but the raven sees, of course, is that Dr. Rose, with her scarlet scarf, has bloodily murdered Tim’s old teacher in his office with a fountainhead pen to the ear.
The Sandman Universe comes from master storyteller Neil Gaiman whose original work on Sandman has been nothing short of groundbreaking.
He is working with the talented writers of four new titles to come from the Sandman Universe.
The Sandman Universe 1 introduces the overall state of Dream, Daniel, and the Dreaming.
Because the raven knows, he hones in on Daniel in a city dressed as a teenager in Converse All Stars (donning white threads, of course), but he misses him before getting to speak to him.
It was like he had him and could not remember the Dream . . .
The Sandman Universe 1 story is by Neil Gaiman, and Simon Spurrier, Kat Howard, Nalo Hopkinson and Dan Watters write the yarn here as they set up their upcoming titles.
The illustrators of The Sandman Universe 1 are Bilquis Evely, Tom Fowler, Dominike “Domo” Stanton, Max Fiumara and Sebastian Fiumara.
Daniel does not want to be found. Has he given up his post as Dream?
At the end of the credits in The Sandman Universe 1 we get a post-credits scene if you will:
The Story Continues In . . .
The Dreaming #1 that comes out on 9/5/18, The House Of Whispers #1 coming out on 9/12/18, Lucifer #1 out 10/17/18, and Books Of Magic #1 released on 10/24/18 (just in time to get your magic up and running before Halloween).
Get ready for a journey through anything and everything dreams car offer and all while the infinite realms possibilities of the Dreamscape are unraveling!
Go grab a copy from your LCS, mine is Red Shirt Comics, before all of the coolest cover variants are gone!
“Neil Gaiman’s The Sandman Universe 1 Unravels Dreaming” was written by R.J. Huneke.
“Minky Woodcock: The Girl Who Handcuffed Houdini Interview” by R.J. Huneke is the first in a series of articles resulting from our interviews with the creators at New York Comic Con 2017 and discusses the classic mystery graphic novel from Hard Case Crime and Titan Comics.
Cover Art By Robert McGinnis
Based on facts and questions surrounding Harry Houdini’s bizarre death in 1926, Minky Woodcock: The Girl Who Handcuffed Houdini is an imbued look into a female private detective taking on a whopper of a first case from long-time Houdini friend Sir Arthur Conan Doyle.
The vibrant history, the tenacious protagonist Minky Woodcock, and the stunning aspects of the art make this book a classic.
Impactful surprises, intricate looks into character personalities, and a fully-fledged and almost surreal world is built to exude the many mysteries of the day.
*The following MAY CONTAIN SPOILERS for Minky Woodcock ISSUE 1*
Renowned artist Cynthia von Buhler had me on page one of Minky Woodcock: The Girl Who Handcuffed Houdini.
The graphic novel’s first page has two panels: one remarkable overhead shot of Minky at a typewriter CLICK clicking away in a letter to Agatha Christie about their meeting at Minky’s mother’s funeral, which takes up all of the left side of the page, and the sub-panel to the right tying two images top-to-bottom of the funeral and furthering along the letter telling of Ms. Christie knowing Benedick Woodcock, a private investigator and Minky’s father.
The character of Minky is already established as both ambitious and a member of an interesting family and family business.
The sound of the writing implement, the scarlet locks of Minky’s hair, down to her red nails on the keys in such a stark close-up and unique angle are vivid and intriguing, while on the sub-panel a subdued brown and black coloring scheme goes back in the past to the early twentieth century and a sad and poignant funeral.
The art is utterly spell-binding and unique as it emanates the Roaring Twenties and the young woman who graces the next pages with a trench coat, a hint of bare leg, and a flask in her hand, as she still grieves for her lost mother, which had a great impact on her life.
Minky is not content to be a private detective’s secretary (her father’s request) when she can be one herself.
A case presents itself in her father’s absence, as Sir Arthur Conan Doyle wants Minky to investigate Harry Houdini, and she smartly says that she can take the case without arousing suspicion, which her father – a well-known P.I. – might very well attract.
Doyle aks Minky to join him for a séance with world renowned Margery, who he says is “adept at manifesting spirit ectoplasm from her orifices.”
This is historically accurate, and it is portrayed with all the zeal that a talented nude spiritualist can bring to a séance for society’s high rollers.
What is overlying all of this . . . a piece of tragic history:
On Halloween of all days, October 31, 1926, Harry Houdini died of very mysterious and suspicious circumstances, and though this is not touched on in the first issue, I suspect Ms. von Buhler’s tale does so as it progresses.
The rich depth of Minky and the portrayal of famed author Sir Arthur Conan Doyle are posed, depicted and brought to life through an innovative use of art that is invigorating.
I succinctly asked artist Cynthia von Buhler about this:
R.J.H. – ‘I love your style [in this book].’
C.V.B. – ‘I’m doing more drawing it and ink [on paper] and color on the computer . . . this is my drawing style.’
Cynthia added that she was lucky to have Pearls Daily to model for the character of Minky.
C.V.B. – ‘She’s [Pearls is] great because she’s posing . . . she’s like that all the time.’
And with that Pearls, donning her detective’s trenchcoat did a little twist of her leg in a pose on the floor of New York Comic Con after the Minky Woodcock: The Girl Who Handcuffed Houdini signing.
Pearls Daily’s acting abilities helped to give life to the vivacious rendition of Minky Woodcock that Cynthia von Buhler puts on the page masterfully, and you can see it from panel to panel throughout the piece as Minky struts into the ritzy home for the séance, as she deftly grasps a martini glass, and as she flees the scene in a tight and curvilinear dress.
What is Minky running from exactly? Her mother’s ghost?
Well I leave that to you, the reader, to find out!
Get down to your local comic book shop and pick up this book, it just came out this week, before it sells out forever.
I will be scouring my LCS, Red Shirt Comics, for whatever variant covers are left on the shelf.
And check out all of the beautiful cover variants. The alternatives are stark in contrast from Charles Ardai’s photograph of Pearls Daily as Minky, to Cynthia von Buhler’s cover, to David Mack’s portrait, and last but not least to a legend that Cynthia spoke on with reverence:
C.V.B. – This cover [she said holding up the cover bearing Margery] is by Robert McGinnis . . . he’s ninety years old and he’s doing this style of painting for years in the James Bond movie posters . . . and it’s such an honor for him to do this cover.
All of the covers are unique and excellent views of the book, and the Robert McGinnis cover seems to pull you to it, as though it were magnetic.
The biggest qualm with this issue is that there is not enough Houdini (though he does pass through a wall briefly). But he is almost certainly lurking not far from Minky’s investigation in the future pages to come.
The hardcover graphic novel for Minky Woodcock is soon to be held!
And in the meantime check out the evidence and real history that was used in creating Minky Woodcock’s tussle with Houdini, Doyle, and the séance craziness of the time at minkywoodcock.com.