Superman #5’s remorseless Zod hits home, and in such an impactful way it changes everything.
Superman #5 is all about the entrance of Zod!
The following article may contain *****Spoilers from The Man Of Steel – Superman #1 – Superman #5.
Whether in Richard Donner’s Superman II cinematic cut, Zack Snyder’s Man of Steel, or the decades of comic book takes and Superman canon, the infamous name of Zod rings bold and loudly.
Zod the once-celebrated general of Krypton, Zod whose failed coup banished him from the planet he cared so zealously for to the Phantom Zone, Zod whose warrior-like philosophy oft crossed into barbaric territory, while remaining an extremely intelligent leader who inspired the adoption of his maniacal methods.
Superman #5 offers up a conflicted and unpredictable Zod.
As in many great stories, a good villain is a character with growth, in his past, present, and future.
The same holds true for Zod as he enters the Rogul Zaar fray.
In Superman #5: The Unity Saga Pt. 5, writer Brian Michael Bendis, penciler Ivan Reis, colorist Alex Sinclair, inkers Joe Prado and Oclair Albert, letterist Josh Reed, take a fascinating storyline with sensational visuals to deliver an epic twist that will have far reaching consequences for Superman.
And the variant cover by Adam Hughes is simply fantastic and a new favorite of mine!
The classic image of Supes taking the blasts of lightning across his chest and proclaiming: “It Still Tickles” against the black background is remarkable.
This issue starts with a nightmare … Zod’s nightmare.
It is actually a recurring vision of a unified Krypton reborn on Jakuul and the House of El set to ally with the House of Zod before an inky black invasion from the sky blasts Zod’s family to bloody bits.
It ends with Rogul Zaar leering over a bruised and battered General Zod, while Superman lies unconscious or dead nearby.
The General awakes, and he has a family.
And then his son informs him that earth is missing.
As we re-enter the Phantom Zone, Zaar and his army of miscreants have torn up superman’s costume and bloodied his mouth.
This is eerily reminiscent of when Doomsday first started to take control during the colossal fight that would end in Supes and Clark Kent’s demise.
Rarely, do I remember Superman profusely bleeding, and never before Doomsday – please chime in here with comments, Eager Readers – especially in the first thirty or forty years or so of his history.
And rarer still is Superman’s impenetrable skin damaged enough that cuts him and results in profuse bleeding.
So, silly as it may sound, on page eight of this book I am extremely concerned for Superman.
He is leaning on a rock to stay upright, as crimson trickles down his arm, his leg, and spouts from his mess of a mouth.
Zod lands on the newly revitalized earth and forces Atom to use the Phantom Zone projector on him.
General Zod has willingly banished himself back to the Phantom Zone, with little hope to return to his family, especially based on his visions.
Zaar waits for the fleeing Superman to return.
And Superman allows himself to become enraged and ready to kill.
He knows he can destroy Zaar and the entire Phantom Zone if he really wants to.
Ma and Pa Kent appear to him briefly, almost like Jor-El in the Fortress of Solitude, to give him advice.
Here Bendis delivers a touching scene that tugs at the heart-strings.
“If tests were easy . . .” says Ma Kent.
“. . . They wouldn’t be tests,” says Pa Kent.
Superman has achieved his goal: he sacrificed himself to save earth and in so doing forever imprisoned Zaar.
It will surely mean death, because Superman will not become enraged enough to kill Zaar, not even for revenge.
But Zod will.
Zod is still consumed by revenge and hate.
He arrives, blasts the creature, and lands saying:
“I. Am. ZOD.”
The fight of the century just got even bigger and a new, unified Krypton may be at stake.
“Superman #5’s Remorseless Zod Hits Home” was written by R.J. Huneke; pick up your copy now at your local comic shop, like Red Shirt Comics.
Death of Superman in ominous Man Of Steel 5 cover, alone, had me.
The Brian Michael Bendis Superman mini-series, his first book in his D.C. Comics run, is enveloping, surprising and terribly suspenseful in its first 5 of 6 issues. But that Ivan Reis, Joe Prado, and Alex Sinclair The Man Of Steel 5 cover wrenched at my heart, just as Dan Jurgens’ cover of Superman 75 “The Death Of Superman” did as a kid so many years ago.
Lois cradling Superman in his torn duds, fallen among his seemingly dead enemy, Doomsday, with a tattered red cape flapping in the wind like an American flag gone through a battlefield is iconic.
And this homage in The Man of Steel 5 alludes to rubble and a looming death for Superman and possibly for many others too.
SPOILER ALERT (for Death Of Superman homage in The Man Of Steel issues 1-5)****
Rogul Zaar has been said to have destroyed Krypton, after all, and he is not happy that the son of Jor El escaped his ‘cleansing’ of the universe from the ‘plague’ of the Kryptonian ways.
And so as he, this new menacing and mysterious zealot – though his past as a defender of the universes adds a lot more to his character than mere obsession – mops the proverbial floor with Superman and Supergirl in Metropolis, we learn to fear him.
But at the start of Bendis’ fifth part of the tale, a giant eye peers down at the last Kryptonian city, Kandor.
It is evil.
It is murderous.
And it brings death.
This is right before Rogul Zaar destroys the city of Kandor and its entire people.
Superman and Supergirl are devastated that their promise to un-shrink the last living city of their home planet is dead.
The brilliant artwork in this issue, done by Adam Hughes, Jason Fabok, and Alex Sinclair, is poignant in its depiction of the fury of the battles, the concerned faces realizing the stakes, the ominous flashback, and the ferocity of the situation.
But with Superman’s true home, earth as his major concern, and thus a disadvantage to his human concern f, he takes the heavyweight title fight to space.
And while the Justice League gathers in Metropolis, Zaar goes toe-to-toe with Supes and eventually succeeds in burying him, unconscious, within the surface of the moon.
Wow, this villain is powerful!
The flashbacks of Clark Kent, Lois, and their son Jon speaking to Jor El, who comes from who knows where, to take the descendant of El on a tour of the galaxies is key.
It seems Lois may have either gone with their son, or just outright walked out on Clark who may have changed his mind and let their child go off-planet.
The human element of Clark and Superman, written by Bendis, is again remarkable.
In this review The Man of Steel #1 brings new humanity to Superman and also to Krypton, with the planet’s dangerous demand for resources to expand its trade system of commerce coming to light from the unlikeliest of sources.
Brian Michael Bendis adds a riveting storyline backed by a sharp edge to the Superman mythos that is very relevant today.
The bad-ass creative team for The Man of Steel #1 is as follows:
THE MAN OF STEEL #1
Written by Brian Michael Bendis
Art by Ivan Reis, Joe Prado, Jason Fabok, Alex Sinclair, Cory Petit
Edited by Jessica Chen, Michael Cotton, Brian Cunningham
Published by DC Comics
Release Date: May 30, 2018
The intricate, tight, and incredible style of all of the artwork feels like a DC Universe we recognize with a fresh take on the (80 year old) Superman character.
All of the artwork is extraordinary, but the bright effervescent colors by Alex Sinclair balancing some deep shadows and blacks give life, realism, and sheer superhero-ness, for lack of a better term, in a way rarely done before.
From the pages of Action Comics #1000, we caught the Present Day in the Brian Michael Bendis Era where a new relentless villain, Rogul Zaar, emerges onto the DCU to give Supes a beating and a slicing in Metropolis.
And worse, Zaar claims to have destroyed Superman’s home world, killing his parents.
The opening of The Man of Steel #1 reads simply: “Krypton: Many Years Ago.”
And there in the past in front of an un-named council of overseers of the universe is Rogol Zaar!
And he is considered by the council as a hero and one they give great respect.
They hear him out as he states that the “plague” of Krypton is a greedy colonial push for commerce that will instill interplanetary war and consume many worlds as they pursue their increasing lust for decreasing resources.
This makes Krypton seem far more human than ever before!
The planet of the red sun is home to mortal beings that have faults and flaws, and their own imperialism and need for more and more resources to further their technological prowess, despite the deaths and downsides that can emerge from this, is truly a flawed and more realistic look at Kal El’s lineage than we have previously seen.
There have always been flaws with his brethren who ignored Jor El’s warnings of planetary destruction, but only in the movie Man of Steel do we see a more human look at the people who, in their greed, bring about their planet’s own demise.
Bendis takes this apt portrayal into a deep and much more realistic depiction of humanity on Krypton, even though in the first issue we have yet to see a single Kryptonian except for Superman himself.
This is so stark a view of our own world, let alone the emerging technical prowess of Krypton that we know of from the Superman canon that readers are left taken aback.
Things are not black and white in the United States, or the world at large, and neither are they in the Brian Michael Bendis Era.
“Writing Superman in today’s day and age is a such powerful experience,” Bendis told Forbes when The Man of Steel was announced. “We live in a world where we’ve heard, ‘Truth, justice, and the American way’ our whole lives, right? But this is the first time those things are really not to be taken for granted. Truth has been revealed to not be as black and white as we thought it was; justice is sadly not always for everybody; and the American Dream, the American way of everybody coming here to pursue the idea that they can live a safe and healthy life — these are ideas we always took for granted, but now we don’t. No matter where you are politically, we just don’t take these things for granted anymore.
“And now I think it’s time Superman stand up and give us that hope we always want from him. It’s a great thing to be writing a character who exudes hope at a time when people really, really need it.”
Zaar wishes to prevent bloodshed in an outright war and asks the council to instead wipe out Krypton.
He is later respectfully informed, at the end of The Man of Steel #1, that they do not see aggression from Krypton and will let them be.
The bulk of Zaar immediately questions if the council was paid off.
Brian Michael Bendis Brings New Humanity To Superman
What is equally intriguing about this opening saga is that Superman is shown to be far more human, in his costume as Superman, than he is as Clark Kent.
It is true The Man of Steel #1 is a small sample size.
But seeing Superman stop amidst all of his chivalrous deeds, flying like a god, to simply listen to a local musician’s take on a catchy song is simply brilliant.
Bendis, in a single page, makes the Man of Steel so much more human than the bumbling Clark Kent.
The writer who created one of the most human and realistic superheroes of all time in Jessica Jones, the private investigator and flawed female protagonist in Marvel’s comic series Alias, is adept at letting life, politics, and all of the warts and grace of humanity in civilization bring his stories and world building to amazing heights.
Superman now has more ancillary characters of importance, like the female fire chief Superman meets in a burning building, just as the great Jerry Ordway and Dan Jurgens often did in their writing of the character before.
Building on the firefighter, Bendis has given us a rare moral dilemma that is truly endearing with her and Superman.
We all have the thought at some point even if we would never act on it, and Superman now does too: despite his wife Lois (who is currently MIA at the Daily Planet) and their child, he shows lingering interest in the firefighter.
This is not an outright infidelity interest, but if for no other reason then fleshing out the mortal humanity in a superhero above all superheroes, Superman is shown to at least have the thought and sexual urges that all people share.
What is more human than that?
Pick up The Man of Steel #1 now, and follow with The Man of Steel #2 on Wednesday at your Local Comic Shop; my LCS in Port Jefferson is Red Shirt Comics and I will be there!
“Review: The Man of Steel #1 Brings New Humanity To Superman” is written by R.J. Huneke
“I wish you could hear this…” Brian Michael Bendis, Ivan Reis/DC Comics